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Выйти из режима печати

Аккорд для гитары Ebsus2

Также известен как E♭sus2, E♭5add2

На английском: E♭ Suspended 2 Guitar Chord

ваш первый палец касается десятый ладу третья струна
ваш второй палец касается одиннадцатый ладу вторая струна
ваш третий палец касается одиннадцатый ладу первая струна
ваш большой палец касается одиннадцатый ладу шестая струна
четвертый и пятый струны приглушены

Схема Аккорд для гитары ebsus2 на десятый ладу

Ноты E♭ Sus2 Гитарный аккорд

Тоника : E-бемоль

II ступень : F

V ступень : B-бемоль

Схема Аккорд для гитары ebsus2 на десятый ладу

E♭sus2

Схема Баррэ-аккорд для гитары ebsus2 на шестой ладу

E♭sus2

Схема Баррэ-аккорд для гитары ebsus2 на первый ладу

E♭sus2

Схема Аккорд для гитары ebsus2 на десятый ладу

E♭sus2

Схема Баррэ-аккорд для гитары ebsus2 на третий ладу

E♭sus2

Схема Аккорд для гитары ebsus2 на восьмой ладу

E♭sus2

Схема Аккорд для гитары ebsus2 на шестой ладу

E♭sus2

Первое обращение

Содержит F в качестве басовой ноты.

Обозначается как E♭/F

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Схема Аккорд для гитары ebsus2 на третий ладу (Первое обращение)

E♭sus2/F

Схема Аккорд для гитары ebsus2 на шестой ладу (Первое обращение)

E♭sus2/F

Схема Баррэ-аккорд для гитары ebsus2 на третий ладу (Первое обращение)

E♭sus2/F

Схема Баррэ-аккорд для гитары ebsus2 на восьмой ладу (Первое обращение)

E♭sus2/F

Схема Баррэ-аккорд для гитары ebsus2 на восьмой ладу (Первое обращение)

E♭sus2/F

Схема Баррэ-аккорд для гитары ebsus2 на первый ладу (Первое обращение)

E♭sus2/F

Второе обращение

Содержит B-бемоль в качестве басовой ноты.

Обозначается как E♭/B♭

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Схема Баррэ-аккорд для гитары ebsus2 на первый ладу (Второе обращение)

E♭sus2/B♭

Схема Аккорд для гитары ebsus2 на восьмой ладу (Второе обращение)

E♭sus2/B♭

Рекомендуемые гаммы для Аккорд для гитары Ebsus2

Роковая Гаммы

Блюз Гаммы

Виды

Разное Гаммы

Джазовая Гаммы

Этническая Гаммы

Подвесной аккорд

Подвешенный второй аккорд (или аккорд sus2) — это музыкальный аккорд, в котором опущена терция (мажорная или минорная) вместо большой секунды. Отсутствие минорной или мажорной терции в аккорде создает открытый звук, а диссонанс между секундой и тоникой создает напряжение.

Подробнее в Википедии

английском